....................................

June 2008
May 2008
February 2008
December 2007
November 2007
October 2007
September 2007
August 2007
April 2007
March 2007
January 2007
October 2006
September 2006
June 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003
November 2003
October 2003
September 2003
August 2003
July 2003
June 2003
May 2003
April 2003
March 2003
February 2003
December 2002
November 2002
October 2002
September 2002
August 2002
July 2002



....................................

Play and Listen
The Price of Babies and Bootlaces
Small Population (in the vacuum)
Leaves and Sons
The Persistent Dilemma
presidential press
the radio
Pitchfork Review (and the pumpkin ritual)
benjamin and the dump
Earrings, Blogs (privacy?), and Recorded Things



....................................



Powered by
Movable Type 2.63

  « The Chest of Drawers | Main | in a handbasket »  

September 06, 2005

the triumph {drawing of}

triumph.jpg

“Art is about as dangerous as literature. But you could also say: it’s about as dangerous as philosophy, which means it’s about as dangerous as Marxism. It’s dangerous in the way literature is dangerous: it raises ideas, it changes minds and cultures. But you can never predict the ways it will do so, which is one of its strengths. Just like you can’t predict whether a political philosophy will change cultures. What did Adam Smith know when he was writing? How could Marx have known what would happen with his ideas? How could Victor Hugo predict how his writings would affect people’s perceptions of poverty?”

~Jennifer Gonzalez

Posted by jeff pitcher at September 6, 2005 11:52 AM

....................................


COMMENTS

One of the most fascinating things about Adam Smith's writings is that his most famous contribution to economics is his use of a metaphor of a great, powerful hand that constantly makes market forces even out. If you built ugly green bicycles, for example, and you are the only one, you can charge whatever you want. But several forces change your ability to do this: One is what people are actually willing to spend on ugly green bicycles; another is your neighbor who sees what you're charging and starts building even uglier green bicycles. Hence, the market becomes even again.

What's interesting in view of the Jennifer Gonzalez quote is that Smith's use of the metaphor is essentially relegated to a sentence of two in the middle of a tremendously long, long, long volume. He probably didn't even think of that metaphor for more than a minute. After all, he discards it almost immediately and moves on to his next thought. But when we think of Adam Smith's contributions to economic thought, we think of his metaphor: Adam Smith's "invisible hand." Amazing.

Posted by: Christian Kiefer at September 11, 2005 10:35 PM
   


©2005 jeff pitcher