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dance and dance and dance
Skirting the sky
in a handbasket
the triumph {drawing of}



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September 22, 2005

dance and dance and dance

i sit, in the "the hospitality room" at the film festival, drinking mint flavored water, eating an orange and spitting the seeds into my hand, then laying them gently onto a paper plate. it is hot here, slightly over 100 degrees, and i can safely say that we all feel {keri, mike and i} that we have been swept up into the arms of some glorious bird that is simply flying us, wherever we need to be. i am sleepy, and the body sore, but i feel so amazingly happy and so alive and so entirely present. and the dancing. today, in a matter of two hours, we will all be out there on a busy streetcorner in the sun, the sweat falling from us, and we will dance. we will dance and dance and dance. i'm tired and the words lie dormant. read more on keri and andrea's sites.

Posted by jeff pitcher at 12:00 PM | Comments (4)

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September 16, 2005

Skirting the sky

doobie_couch.jpg

Last night on the grass looking up above the city lights at the moon, I fell into that familiar trace that seems to find me when I’m dancing. After running and jumping and throwing my arms out to the music, I collapsed at one point onto my back, and lay there on the cool grass looking up at a small satellite, skirting the sky. In some strange way, it seemed to pulse with the music and glide through the waves of sound moving from one ear to the other, across my head. Sigur Ros. The band of all bands. There are moments, many of them, when I listen to this band, and conclude that they are making the most beautiful sounds that any musicians have ever made. And I don’t just mean music, I mean sounds. It is not simply the melodies and the movement of rhythm, but it is the collection of sounds therein, the soul of which I speak. The soul of these sounds.

In music, and all art perhaps, I believe that there is this magical place where restraint and excess find themselves dancing {to use an obvious metaphor} and somehow lock themselves into perfect, synchronized, motion like water upon water, flame upon flame. And in this place, this place of momentary grace, something transcendent is created that lives with us forever. And so it was last night, as I flung my body about on the grass, beneath the stars, listening to the new Sigur Ros record, which as all of the music they have made is utterly brilliant. It really is unbelievable to me. The music they make, is somehow ancient and new, the breath of long gone beasts, tangled in the arms of an infant. In some way, it is precisely this precarious image, a vicious beast holding the most fragile of all things in its arms, that gives their music the wings that it undoubtedly has. It is somehow so fragile and yet overwhelmingly powerful and infinite. Nearly every time I hear their music, I simply want everything I do to sound exactly like that. To be exactly like that. My smile, my paintings, the way I walk, my poetry, my voice, my music, my everything. And so I danced. I danced until my muscles and lungs could take it no more, which was quite some time. I danced off all of the worries I’m currently having about my state of financial disrepair, of being overwhelmed about school starting, records to finish, shows to book, a film festival in Palm Springs. and so on and son on. Life if you will.

And then today, standing behind Keri at the kitchen table gathering things for lunch, she reads the email that one of the two cats died shortly after her departure. She cried and I hugged her. I closed my eyes and imagined myself holding him they way he liked to be held, slung up over my shoulder, his haunches cradled by my right arm. This, dear reader, was the only way the cat would allow me to touch him for more than two seconds. In this subtle embrace, Doobie would remain for hours if I would let him. May times, we simply walked around the house like that, doing the household things one does. And so, as happens now and then, life reminds us that it is indeed unpredictable. Change is ever-present, and the water we ride will run into rocks, and will alter its course. He was quite old for a cat, and died we believe of natural causes, the simple ravages of old age. I pictured my grandfather, sitting in that chair the last time I saw him, the drool running its carved stream down the left of his chin, looking strangely present after so many months of drifting. Doobie had been sleeping excessively the last few months, and the dear woman who has been watching for him, said that he simply walked outside in the morning, and was found lying on the grass, up near the studio, where he liked to walk slowly, hunting the small flies that buzzed the weeds. Perhaps, in some way unbeknownst to me, I danced for Doobie last night, the music and movement of my body carrying his spirit off to places full of people shouldering him just right. Life is like that I think, for we are always dancing for someone or something we love.

As for Palm Springs, Mike and I made a documentary about out dancing last winter and sent it off to some festivals…this is the first of hopefully many. You may read a bit about it here. I guess the unpredictability can be just as full of light as it is the sadness of death. Death is after all, perhaps the only predictable thing there is in life…..it is simply the timing we don’t know. And so we dance. We dance and listen to the most beautiful music we can find. We look at the moon, and laugh at ourselves. We shake our legs, and fall onto cool grass, watching satellites skirt the sky. We stand at the kitchen table, holding our wives as they cry, feeling guilty about animals they’ve left behind. We walk into the living room, turn on the power, and let Sigur Ros fill the room, with its magic. Those sounds from forever. That place I long to always be. That satellite orbiting the earth, a white river in the black sky.

Posted by jeff pitcher at 08:09 PM | Comments (4)

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September 13, 2005

in a handbasket

fish.jpg

a hummingbird in the distance. red wine. almonds in a small blue and white bowl, clanking. my wife, singing along with gospel music in the background. a scattered and busy brain, mine, longing for chips and salsa and sleep. hands that wish to play guitar. hands that paint instead to slow the restless brain. a drumkit that remains unplayed in the living room. a bad mic cable, that leads to strange and bothersome sounds. the lid of a rice cooker, tittering. slobbering. radiohead now. how does one relax, when they just can't seem to relax?

did you know that they have television at albertson's now? televisions at each checkout stand, advertising various products that one might like to buy in the store. though i should have known this was coming, and really i did, it still hurts me nonetheless. i am so fucking disgusted by the rampant advertising. it has gone so much further than i deem acceptable. i told myself, even before the television discovery, that we would not be going to albertsons. not ever. but then you realize that you forgot garlic, and it IS just around the corner. well not anymore it's not. television in the goddamn grocery store. we're headed for hell in a handbasket as my grandfather would say. sometimes it just seems so bloody hopeless. the worst part, is standing in there and watching all of the people who seem to be utterly oblivious, eyes glued to the blue screens as they load their food onto the conveyer belt. they just accept it all, this complete and total destruction of their environment. has it really come to this?

Posted by jeff pitcher at 05:37 PM | Comments (2)

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September 06, 2005

the triumph {drawing of}

triumph.jpg

“Art is about as dangerous as literature. But you could also say: it’s about as dangerous as philosophy, which means it’s about as dangerous as Marxism. It’s dangerous in the way literature is dangerous: it raises ideas, it changes minds and cultures. But you can never predict the ways it will do so, which is one of its strengths. Just like you can’t predict whether a political philosophy will change cultures. What did Adam Smith know when he was writing? How could Marx have known what would happen with his ideas? How could Victor Hugo predict how his writings would affect people’s perceptions of poverty?”

~Jennifer Gonzalez

Posted by jeff pitcher at 11:52 AM | Comments (1)

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